SODOM's Tom Angelripper: The Costly Decision to Step Back from Touring
A legendary metal band faces a challenging crossroads. In a revealing interview, bassist and vocalist Thomas 'Angelripper' Such of the iconic German thrash metal band SODOM opens up about his recent choice to reduce their touring schedule, citing personal and financial reasons. But here's where it gets controversial: the high cost of playing shows in the U.S. is a significant factor.
Angelripper, a father of two grown children, expresses his desire to spend more time with his family and pursue other interests. He mentions working on re-releases for BMG, writing new lyrics, and having fresh ideas for songs. However, he emphasizes that touring is what he's stepping away from.
The band's latest album, 'The Arsonist', has not been promoted through live performances, which Angelripper laments. He admits that stopping is never easy, but he's embracing the freedom to enjoy his hobbies, like hunting, and spend time with his loved ones. He reflects on the demanding nature of touring, the constant travel, and the pressure it entails.
But the real eye-opener is Angelripper's take on the challenges of touring in the U.S. The visa process, he says, is a bureaucratic nightmare, especially for a few shows. The costs are staggering, with each band and crew member needing $2,000 for working papers. This, he argues, is in stark contrast to American bands touring Europe, who only need a passport.
Angelripper is not retiring entirely, but he's selective about future shows. He doesn't want to commit to a schedule, preferring to play when he feels ready. He acknowledges the band's success and the ongoing demand for SODOM's music, but he's firm in his decision to take a break.
This decision, he clarifies, is not due to a lack of passion or creativity. He still loves performing and writing music, but he values his freedom and time. He's not ready to set a return date, preferring to go with the flow and see what the future holds.
The interview offers a glimpse into the challenges faced by veteran musicians, where the demands of touring can clash with personal priorities. And this is the part most people miss: the financial and logistical hurdles that can make touring certain regions less appealing. Angelripper's story raises questions about the sustainability of extensive touring, especially as artists age and their priorities shift.
What do you think? Is Angelripper's decision a sign of the times, or a missed opportunity? Should bands prioritize touring at all costs, or is it time to reevaluate the industry's expectations? Share your thoughts in the comments below, and let's spark a conversation about the future of live music.
